Batman: The Cat and the Bat
I have to admit to you:
I loved The Cat and the Bat. I don’t know Barbara Gordon as Batgirl
very well—pretty much every title I’ve read before has seen her post-crippling
and in a wheelchair as Oracle. Perhaps
the only stories of hers that I knew her as the insouciant, charming, rather
innocent heroine from another era are Timm-type stories. This one, on the other hand, is modern and retro (Catwoman in a suit very different from the one with
goggles).
It’s the uber-cheeky story of Barbara (Gordon’s daughter
and, unbeknownst to him, newly appointed Batgirl) picking up her father’s
secret police casebook, which gets stolen right out from under her nose by
Catwoman. Thus begins a craaaazy chase
that makes the highly agile women rivals, enemies, allies, and eventually
grudging acquaintances. The interior
monologuing from Barbara’s perspective as well as Catwoman’s is a great device
and highly amusing. The best part was
easily the outrageous setting of Gotham City Hedonist Society, which is
basically an excuse to cause Barbara excruciating embarrassment as she has to
strip to just her mask in order to pursue Catwoman. Perhaps with another team it would be
exploitative, but it’s just so funny I really can’t hold that against it
(besides, it’s equal opportunity nudity).
What would Batman do? He would say infiltrate. But
would he do it naked? I think I put on my Granny panties this
morning . . . I’m sure it also took real inventiveness to draw all those
naked people and not show anything non-PG.
It’s also amusing that Barbara apologizes for “waling on the help.”
There’s an interlude with a cute puppy in a junkyard before
Catwoman spills that she needs the notebook to help save the life of a
friend. The Russian mob gets involved,
and Batman comes back from vacation (seriously!). It’s a bit awkward for everyone: Barbara is his ingénue but Catwoman is his
“It’s complicated” status on Facebook.
The Riddler is even involved (I have a few odd ships of my own, and
CatwomanxRiddler is one of them, ever since Catwoman: When in Rome). I won’t spoil the ending, but let me just
congratulate them on a little cameo from sexy!Joker (something you don’t see
too often in DC!universe—though I suppose it’s all about complicated
considering he’s the one who reduces her to a cripple, at least in most
versions).
Barbara is drawn too maturely by Kevin Maguire to pass as a
freckled kid, but I love the expressiveness on her features. Allied to a funny, fast, and extremely witty
script by Fabian Nicieza, I have to say this one’s a winner!
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